Cric Craic Paddywack

 Starting week 2 with the Cric. Had a better afternoon (Sunday), or at least I got a few noises worth exploring and sampling, as well as the idea to try controlling it from the Analog Four. The reasons are that I would like to use it again as it's mostly idle but also it has a better sequencer than the Keystep, can apply slide to CVs, has parameter locks, LFOs, Envelopes and may even be the best place to initially process the audio. The SP-404 sampling should go back to the System 8 as the two worked better together - those sudden volume leaps aren't ideal. I'll grab samples in the BB as usual if the A4 fits in. 

I don't want to give in just cos I'm old and inflexible. There are clearly good things to find... still need to fully explore the idea of sounds evolving by each envelope triggering the next and each controlling a sound source of its own. 

Monday: did some sequencing with the A4/Cric and, along with the A4's own voices and its FX processing, makes for a nice little jamming corner without needing P3 involvement. Still been capturing loops into 404 (due to not reorganising mixer channels) but not sure that's how I will keep doing it. It does work, with practice, but I expect there's a better way just waiting to occur to me. Maybe time the S-4 was woken from its slumbers as a 4-track tape recorder. One for tomorrow if time permits (still occupied with the dog and will need to take Pat/Marg shopping). The Analog Four sounded flat today, which is unexpected. There's a calibrate routine but I forgot to try it (needs to have been on for a couple of hours). 

Was hoping to go visit Matt but I think time getting away from me already. It's 9am, Pat still asleep and the day already feels like it's escaping. So much I want to cram into an increasingly small window. Wish I'd had the Cric for my luxurious four days of total freedom over Christmas.

Good sesh today, added switch to allow swapping input to A4 from Reface to Digitone. That way I can get neat loops in the BB.Tested and it works OK. Annoyingly had to swap the Reface as the CS constantly sends MIDI clock and you can't turn it off. It's that bloody looper again. Oh well, got the piano in there instead. Looked for my MIDI merge box(es) but couldn't find so used switch instead. Works. Also put the A4 and Cric through the S-4 rathe than the S-404 (lots of fours here I note!). It immediately inspired a Synthi drone/space sesh using the S-4's FX and recording ability. 

Reminded how much I hate the Analog Four's kit system and the need to constantly save or lose your work. Why the fuck can't they implement the 'unique pattern' approach of the Digitone? Makes me not want to use the internal voices - deja vu or what?

Someone suggested I do a Cric drone at the next EMOM and maybe that makes sense. Would be different anyway. 

Booked my Berlin flights - with Ryanair heaven help me. Their verificiation process is kinda bizarre - they send you a code that is good for ten minutes but it typically takes over 12 mins to arrive, so you have to do it again, and again... great start. 

Pete sent me a recording of the Berlin gig with the lost first part (his singing bowl) pasted on from an audio recording. It's great and so nice to hear it all the way through. We should release, I think. He also sent the multitrack from the infamous "Jez has a VCS3 and is gonna use it" Awakenings gig we did. I'll try and do a mix I can live with. For now it's Friday and I have chores to do before I'm free. 

And we're off... it's Cric Craic time

 I decided to buy a Cric, has to be the blue (sorry teal) one. I tweaked setup 2 and I think it works and will work better when I add Cric. I already have some ideas for a new Exoplanets album and some more out there electronic music. It's time to put aside childish things and make some serious electronic music. Plans eh?

Pat's ankle still not good but she reckons it's getting slowly better. Until it's actually functional I'll be on dog walking duties, which is OK as I need to exercise. Will also need to do some shopping but should get time to do some studio work. Just need to ask a few questions of Finlay but I think I already decided the black one doesn't excite me and even if I can't read the white on pale blue easily then I'll sort some lighting. Beauty first, OK?

Cric arrived at 08:30 and is indeed a lovely thing. If I were part of the design team I'd have pushed for black text and larger switches but that aside I think it's gonna be sweet. Some tiny adjustments can make a huge difference though, reminding me of the Synthi in that one respect. Its soft sync is really nice and I'm going to have a lot of fun with that. Oddly enough I've done lots of gnarly solo sounds and spiky sequences initially rather than the evolving ambient stuff I'd expected to be doing. Tomorrow I shall pursue that angle. Have ordered an angled desk stand for it.

Wednesday was a better afternoon doing ambient stuff with the Cric. I drafted in the Euro joystick and Pressure Points as well as the ring mod and Tapographical Delay. Those modules could be good in various combinations. Still learning the foibles though - a lot to those oscillators for example - but I'd have liked sync to only one of them as an option. Have ordered more pins and the Behringer Bode module. I mean, why not, right? Buy yourself out of trouble boy!

Thursday I concentrated on space wibbles, envelopes looping and retriggering each other, learning the scissor/DNA oscillators a bit better (getting there) and patching out to the joystick. The joystick is ace cos you can record its motion including pressing the gate button. Very cool indeed - should have been included on the synth along with trigger button. Tomorrow I intend to have a meditational/drone afternoon and have the Synthi involved too if I feel I'm getting somewhere. Having the three levels of the multimode filter available in the matrix is something I only played with briefly but should be lots of potential there. Must try using the CFGs as audio sources too. I think Finlay did a good job for his first complete synth, just needs the right controller to bring it to life. Need to be careful with some switches as the leaps in volume can be extreme and unpleasant. Also the scaling of some controls must be watched as you can max out in a few degrees sometimes but I can't always anticipate this and puzzle myself with it. Using the attenuverters on the inputs useful when mixing multiple sources into one destination. Noticed the two tiny inverter switches on inputs 3&4 which I don't think are documented.

Apparently the USB cable for the Doepfer ribbon is normal nowt special at all. So Will draft that in, maybe instead of the Keystep. I dunno, thrashing about somewhat. Stuff I recorded into the 404 all a bit nasty and industrial, which is unusual - but i was quite drunk, not good. Using the 404 is a really nice idea for capturing the wibblyness. 

Tickety Tock

Spent Friday then Saturday with the Cric and had some doubts/buyer's remorse. Maybe it's not for me -but I have no idea how I'd tell Finlay that or return it so I'll press on and find a use for it. I feel kinda stupid but not for the first time. A big part of my problem is when I try and get the possibilities in my head - the inclusion of modular always screws me unless it's limited and specific, like the MS20 and associated modules, the Grind, the DFAM. I look at the elegance of the Synthi and realise I was naive to think that's gonna be replicated just cos another synth has a patch bay, three VCOs, a filter.... Why do I need to be able to get stuff in my head and manage fine until it comes to modular? Yes, my brain is just too small to deal with all the possibilities, let alone remember whatever I did last. So it's always a slow, deliberate process. Maybe I need a rule that setup 2 is not for Friday afternoons or drunk/stoned times?

This morning's thinking (05:00 can't sleep) is that I should stop buying synths based on whether they're a pretty colour or to attempt to make a particular setup work. The Eurorack is always going to be mainly wallpaper, I need to admit it and stop wasting money on it! Bloody insomnia. Woke with 'reach for the stars' going round in a loop thanks to the bloody DJ last night. Another family do next week... and another week walking Broc (in the rain apparently). Not the start to the year I'd hoped for. Have to decide whethe to play EMOM but my head's all over the place and Tim talking about being unable ot play due to some work coming up. Oh well...

Ahem, HNY

 I wrote this little poem:

If you don't have a kazoo
A saxophone will do
(You can try and deny it
But we all know it's true)

Yeah, it's been that kind of break. I even contemplated trying to make some music unstoned and maybe even not drunk. Radical but feel like I want to impose a little order after wallowing in chaos for too long. May be related to the order/chaos strand I'm weaving deeper into 'From Beer To Eternity' as I continue my quest to discover one of the main character's motives for doing something that seems hard to justify. 

I suppose I must eventually listen to the thing I recorded on Boxing Day. Two directions I want to pursue : almost nothing happening very slowly and tight, organised structural pieces. 

Listened to the Boxing Day recording, deleted the video from Youtube, decided it was for the best. ;)
Admiring some of the additions to the Waldorf M, which is now stacked with stuff lifted from MI's open source wonders. So many companies have done this but I am curious how the M sounds in general, which is mad given I have the Wave cos I'm not gonna get one. Well, probably. Went for a walk with our Janet - dogs had a ball, Broc's hardly moved all afternoon or evening. Going for curry tomorrow. Did not leave house this evening though for EMOM. Should've but...

Well, I did it, I completed From Beer to Eternity to my satisfaction. I expect there will still be a few typos and sentences I can de-clutter but it's there, it's the story it always should have been. Best of all, elements that were present that felt disjointed are now, I'm confident, a coherent whole. Obviously for a story this complex I always did need to put in this amount of work but at least it's done. Will now sit on it a while, have a last quick edit in a few weeks before re-publishing. Nobody will read it, of course, but it'll be there as a far better example of what I can do than formerly. 

Happy New Year!

We went to Southport and it was lovely... until we tried jumping over a little stream and Pat did her ankle in. Then it was a very long, slow walk back to the car...