It's the question I've been asking myself since being exposed to a real studio and skilled professionals who played sober, unstoned and note-perfectly whenever called upon to do so. Should I be drawn back into the DAW world in order to raise my game or is there some other way? Does it really matter if I enjoy pootling about as I always have? Half-way houses include things like the Zoom mixer that records all its inputs, all of which eventually takes me back to a screen and mixing and producing. Or maybe I do it that way and only go back and work on the jams that have promise, which yesterday's didn't (now I give them the sober Saturday play). Still not unhappy though because I was working again and the air conditioner made it possible. Using the TT-606 as master clock is probably only a short-term thing though, will probably put Octatrack back or some other simple clock source. Or maybe that's where the DAW belongs...
Yeah went back to OT. Now looking at a mixer solution that will incorporate multitrack recording and therefore replace the current Behringer mixer and the Zoom R24.
Decided on a Zoom L6Max. Even if it doesn't prove my ultimate solution to rule them all, it'll do nicely as a small recordable mixer for live and I'll initially use it in place of the R24 and main Behringer mixer in that room. It wIll free a load of space and give me the power to record as and when I want, even using it as a muti-channel input to the laptop with my Live setup. The R24 can move into the other room and be a mixer/recorder for the small corner setup maybe.
Probably more important though is how much my process changes or indeed can change. A lot of my improv stuff could already be done to Logic and refined yet I rarely do. Gonna have to think a lot about the gains and costs - and even if I want to work more sober/unstoned just to produce music with supposedly fewer obvious flaws and generally better production values. I mean, who am I doing this for?
A quality Monday combining MIDICake Arp with Wavestate. Sending all tracks to global track then splitting each part by velocity of key range proving most excellent.
Tuesday I tried the Zoom - wow it's tiny! And does indeed seem to do its job and all outputs available to Ableton - so I may not even need its own recording but do selections on Live as multitracker. We'll see how it goes.
My tree still looking good
Did quick test of recording direct to card and then to Ableton with the Zoom as audio interface - good in that mode I can easily choose which inputs to use for recording. Haven't tested yet whether the L6Max records muted tracks. Would seem silly but who knows?
I think the L6 Max is gonna work out very well. I dithered before buying but it has freed so much space in the studio it's worth it just for that. Felt a bit rought today though so didn't do more than a few tests. Got poor Becca's cold, so I have.























































